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The Horses and the Hounds

by James McMurtry

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  • Record/Vinyl + Digital Album

    - 140g black vinyl
    - 12", 2-LP, gatefold

    Includes digital pre-order of The Horses and the Hounds. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases August 20, 2021
    item ships out on or around August 19, 2021
    Purchasable with gift card

      $26 USD or more 

     

  • Compact Disc (CD) + Digital Album

    - Digiwallet

    Includes digital pre-order of The Horses and the Hounds. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases August 20, 2021
    item ships out on or around August 19, 2021
    Purchasable with gift card

      $14 USD or more 

     

  • Streaming + Download

    Pre-order of The Horses and the Hounds. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases August 20, 2021

      $10 USD  or more

     

1.
I was thinking ‘bout you, crossing Southern Alberta canola fields on a July day are about the same chartreuse as that sixty-nine bug you used to drive around San Jose you never knew where my old white Lincoln might take you party on wheels with suicide doors bring the kids and the dogs and your grandma too we always had room for more til that white knuckle ride back from Santa Cruz second best surfer on the central coast had you wrapped up all the way back to Los Gatos and I could’ve cut his throat and it wasn't like we were an item to start with it had no basis in fact but the whiskey could push me to sudden extremes I don’t want to think about that, I don’t want to think about that (chorus) take my hand Marie take a death grip on some part of me keep me from drifting far out to sea or I’ll be lost out there we all drifted away with the days getting shorter seeking our place in the greater scheme kids and careers and a vague sense of order busting apart at the seams I heard you switched coasts, moved in with your sister I doubt you’d have called it familial bliss we met up in Brooklyn before it went hipster you carried your keys in your fist in a way back corner of a cross town bus we were hiding out under my hat cashing in on a thirty year crush you can’t be young and do that you can’t be young and do that (chorus) I was thinking ‘bout you crossing Southern Alberta canola fields at harvest time look like tumbleweeds all raked up into rows brown rusty contour lines and there’s not much moving on the romance radar not that I’m craving it all that much but I still need to feel every once in a while the warmth of a smile and a touch and in a way back corner of a cross town bus we were hiding out under my hat cashing in on a thirty year crush you can’t be young and do that you can’t be young and do that (chorus)
2.
If It Don’t Bleed
3.
Operation Never Mind
4.
Jackie
5.
Decent Man
6.
Vaquero
7.
The Horses and the Hounds
8.
Ft. Walton Wake-Up Call
9.
What’s the Matter
10.
Blackberry Winter

about

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation (closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”

The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.

credits

releases August 20, 2021

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Produced by Ross Hogarth
Mixed by Ross Hogarth at The Boogie Motel (Woodland Hills, CA)
Recorded by Ross Hogarth at Jackson Browne’s Groovemasters (Santa Monica, CA) Infinitespin Records (Van Nuys, CA), and Arlyn Studios (Austin, TX)
Additional recording by Pat Manske at The Zone Studios (Dripping Springs, TX) and by Joseph Holguin at Arlyn Studios (Austin, TX)
Assistant engineers: Kevin Smith (Groovemasters), Joseph Holguin (Arlyn Studios), Peter Brownlee (Infinitespin)
Mastered by Richard Dodd (Nashville, TN)

Management: Jenni Finlay, Jenni Finlay Promotions (Austin, TX)
Business Management: Victor Wlodinguer, Citrin Cooperman (New York, NY)
Booking: Dave Rowan, High Road Touring (Sausalito, CA)
Art Direction and Design: Marc Harkness


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Thank You: Tony Magee, Jackson Browne, Lisa Fletcher, Matt Linesch, Gersh, Brendan McCusker for diligence beyond the call of duty, Mady Kaye, David Pulkingham, Curtis McMurtry, Kris Hogarth, Frank Riley, Wendell Berry, Alejandro Escovedo, Capp’s Van and Car Rental (Austin, TX), South Austin Music



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